Amy Heidemann Photos, News, and Videos | Just Jared Jr.
Nick and Amy Noonan of pop act Karmin reveal how their own relationship inspired their hit 'Brokenhearted', and how marriage changed their. Karmin's Amy Heidemann and Nick Noonan are married! The couple broke the news in an inconspicuous way—by having Amy change her last. There's only one issue, and this is where the Lifetime biopic becomes a Musicians Nicholas Noonan, left, and Amy Renee Heidemann, right, of the band Singer Amy Renee Heidemann (L) and musician Nick Noonan of Karmin was having met and made a lot of relationships while at a major label.
Karmin Singers Amy & Nick Got Married!
Yet, she has only been rapping for about a year. And on top of the work to keep their music heard via Youtube, it was a challenge to stay afloat in Boston as a duo. Another one of their very early albums can be found here. They would move away. Some of you may remember them performing on Newbury Street, with a guitar case and some CDs.
They cite that as their most successful performances in Boston, as tourists would constantly be visiting the street. They also performed for community events and opened for other bands they knew. Speaking of Newbury Street… One day, Heidemann found herself walking down Newbury Street and saw an ad campaign for Bebe where the model was wearing this hairstyle.
Of course, this is the suicide roll, a s style. A friend at MTV told her it was a suicide roll, so she made a Youtube tutorial. It turned into something larger than she ever thought.
Karmin's Amy Heidemann and Nick Noonan Are Married
As for makeup, turns out the girls in her high school dance team would ask her to do their makeup. She was active within the community with the musicals, speech contests, and poetry readings. As to how they met, Noonan answers this one. I was the trombone kid and they asked me to do a bunch of songs being the trombone guy in the section. The two went away for the summer but hit it off at a party the first week of their sophomore year. As for the wedding?
This has been a whirlwind year for them, after all. It was literally ten days before the wedding. I was immediately intrigued when I heard them perform it on SNL. I enjoyed the feel of the song quite a bit. I was curious as to what the influence for the song was, musically, and the lyrics.
We have a music video for that coming out very soon. This is possibly my second favorite song on the album. Reid loves our writing.
He wanted them to write a love song, so they wrote about how they met at a party in college. Although the story of Karmin's rise is positive, and inspiring, it perhaps more importantly exemplifies the changing of the musical guard.
Karmin built their future holistically, by themselves, one skill set at a time. Amy talks of their defining skills, We were the most self sufficient band. Anything we wanted to do, we would learn. Instead of paying someone else to do it -- not as well as we would like it to be -- we learned it ourselves: Not only did Karmin learn the tangible skill sets for a musical existence, they also quickly uncovered where to plot their musical course to garner a significant fan base.
Nick speaks of Karmin's move toward employing cover songs and a strong YouTube grounding by saying, We were uploading originals first and no one was watching it.
So Nils Gums, our manager, said 'you guys should do covers because you have the personality and sound to twist it up and make it unique,' and he started recommending stuff that was on top of the iTunes and Billboard charts. He taught us how to tag the videos so they came up on searches.
Karmin 'Nervous' About Their Wedding - MTV
Thirty some videos later, we had a viral hit. Roger Brown, President of Berklee College of Music, says that it important to note that, "a lot of people think Karmin just got lucky by doing one video and it went wild. In reality, they already worked hard and diligent to obtain a fan base of hundreds of thousands of people so when they did that video [Look At Me Now] their fans were willing to tell the world about it.
There was the pre-music video days, then video came along and it was really important, then MTV decided they were just going to show reality TV, and so that fell into the background, and now because it is so easy to make a video you need to have some kind of promotional tool in addition to the music.
It is about a whole package of building the intersection of video and music. That is going to be a really important thing going forward. Author Seth Godin also highlighted the use of creativity to gain video viewership, fans, and musical clout. But critiques to this new method of propelling yourself up toward the top of YouTube searches by employing cover songs are beginning to ringing louder. Karmin had to field questions on their artistic merit for their heavy use of cover songs but veteran musician Amanda Palmer, who recently received accolades for her recent cover of Polly by Nirvana, goes to bat for Karmin and told me, If I am not mistaken, the Beatles did it.
If you can transmit a great song and touch somebody, that is fundamentally fantastic. If you can generate a song that you can perform and touch somebody you are more fantastic. That doesn't mean that if you are performing covers you are not bringing something to the table.
Music is fundamentally like that. Music started like that. It wasn't about generating new material and impressing everyone every fucking second. The Music Business Stalls The ability for bands like Karmin to create, promote, and reap the awards of good artistry prior to a major label contract helps to illuminate just how far and fast the music business game has changed.
There are no gatekeepers.
Godin emphasizes that the labels are still clinging to a scarcity model of monetizing their collection in a world that has embraced the free flowing abundance of digital commodities. And he further says that this label mentality of slowly wading into the digital world is similar to timid trapeze artists: Between the artist, the brand, some of the technology companies, and the labels, there needs to be innovation from all of those places but we have not seen as much innovation coming out of the label system as we need.
What is dangerous is there is so much innovation coming from the technology companies these days, the labels could find themselves in a very tough place. Music trend blogger Bob Lefsetz sent out his Lefsetz Letters "mailbag" to his gazillion subscribers on May 1, The letter Lefsetz included was from Amanda Palmer specifically prancing to the fact that she feels so free and happy after she broke free from Roadrunner Records in