When Bran reveals the expensive Valyrian steel dagger he was gifted by one that poses a far greater problem for Littlefinger's ultimate goal. When Bran, Sansa, and Arya discussed the dagger in the He wants Jon out of the way, and Jon's relationship with Tyrion is a perfect means to that end. One of. She takes after her father and has a quarrelsome relationship with her sister Robb and Jon are impressed while Bran chases Arya as their family laughs at the goal of becoming a Faceless assassin and knowing her failure has made her. Every romantic relationship on "Game of Thrones" ranked from worst to best, from The relationship between Melisandre and Stannis is more goal-oriented than romantic. Arya carries out the order, using his own dagger to slit his throat. . Bran explains that this makes Jon the true heir to the Iron Throne.
We will meet again. This popular motif gives emphasis to the lesson that passage of the threshold is a form of self-annihilation … instead of passing outward, beyond the confines of the visible world, the hero goes inward, to be born again.
The disappearance corresponds to the passing of a worshiper into a temple—where he is to be quickened by the recollection of who and what he is, namely dust and ashes unless immortal. Here we serve the Many Faced God.
To serve well, a girl must become no one … There is only one God. A girl knows his name. And all men know his gift. Jaqen had better be careful, however: This is a favorite phase of the myth-adventure. It has produced a world literature of miraculous tests and ordeals. The ordeal is a deepening of the problem of the first threshold … for many-headed is this surrounding Hydra; one head cut off, two more appear—unless the right caustic is applied to the mutilated stump.
The original departure into the land of trials represented only the beginning of the long and really perilous path of initiatory conquests and moments of illumination.
Dragons have now to be slain and surprising barriers passed—again, again and again. Meanwhile there will be a multitude of preliminary victories, unretainable ecstasies, and momentary glimpses of the wonderful land. In the House of Black and White, Arya is tested repeatedly, first with menial tasks, until Jaqen is convinced that she is ready to pass through the next door.
Arya succumbs to the temptation of revenge: As Trant dies, Arya speaks to him. Do you know who you are? The girl stole from the May-Faced God. Now a debt is owed and only death can pay for life.
And to someone, the faces are as good as poison. This physical attribute links her to Loviatar from Finnish mythology, the blind daughter of the god of death. Arya continues to suffer brutal beatings in the staff-dueling sessions, but she still gets in a lick or two. Arya swallows the poison, and her eyesight returns.
He sends her off with an ominous warning: There will not be a third. One way or another, a face will be added to the wall.
The consequences of her failure will lead her to the next stage. But here you are. And there she is. Finally, the girl is no one.
He beholds the face of the father, understands—and the two are atoned. The Waif watches from the bridge, seeing nothing but blood in the water, and it appears that Arya is dead. This is the critical moment in any story, an Ordeal in which the hero must die or appear to die so that he may be born again.
Arya changes once she emerges from the canal: From the moment Arya surfaces from the canal, she is active on her own behalf: From there, she retrieves Needle and leaves to make her own way—without Mentors or Threshold Guardians—in the world. The boon often appears in the form of an elixir, ability, knowledge, or a symbolic object such as the Holy Grail.
It seems to be the ability to deal death and exact her revenge: Is her use of the secret training and extra face? But Arya murdered him without regard to the law, and reveled in his horror at having consumed two of his children.
Not very heroic of her. Ep7Arya goes into hiding and attempts to book passage back to Westeros. A face is needed for the wall, but The Waif could simply kill Lady Crane herself: Jealousy may have something to do with it, but the bigger motivation is she feels Arya is unworthy to escape with the boon and her knowledge of the secrets of the Faceless Men.
This could be a big stage for Arya: She may also struggle if they want her to turn her hard-won talents towards new enemies rather than towards crossing names off her long-tended death list. Though she would be overjoyed to reconnect with Jon and Sansa, it will be difficult for her to integrate into their world given her strange experiences. And now the final question: Her journey certainly fits the monomyth stages well, structurally, but the big problem arises when you measure the kind of person Arya has become.
She has also murdered someone who simply managed to get in her way: One could argue that killing the stableboy was a form of self-defense, since Arya was desperately trying to flee. Arya is not a conventional white armored hero.
The Hero’s Journey in Game of Thrones: Arya Stark
The stages of her journey fit the monomyth but her violent streak is too sadistic, even when selectively and arguably, appropriately applied to bad guys. Did Arya learn nothing from her training? We followed Arya for quite some time learning to become a Faceless Man. She is literally an assassin trained in the arts of disguise, deceit, secrecy, and wits.
Also, she spent part of that training literally blind, learning how to use her other senses to move around without being noticed. Why on Earth would she be following Littlefinger around the grounds of Winterfell so obviously? Not to mention after he hides the scroll in his room she marches on over immediately after and starts loudly rummaging with the lock. It makes no sense. It appears that Sansa and observed by Littlefinger is realizing that Brienne is not only loyal to just her and that perhaps if things come to blow she would maybe even side with Arya since the two have way more in common.
Also, Brienne needs to go see Jamie anyway. How about the day Ned Stark died?
The Hero's Journey in Game of Thrones: Arya Stark
Littlefinger is a sleuth lurking around all of the time. So, in the scene where Arya confronts Sansa about her behavior the day their dad was beheaded it is all sorts of wrong. Sansa immediately reacted with horror, screaming for Joffrey to change his mind.
Why would Arya skew the facts so immensely? Could they have been having this spat because Littlefinger was listening from the shadows, allowing him to believe that his planted scroll plot was working? Hopefully, Littlefinger, who has spent a good portion of his arc trying to separate Sansa from her pack Jon, Arya, and Bran. What are your thoughts on this theory?