Relationships in Othello - omarcafini.info
How does the relationship between Desdemona and Othello deteriorates. hard to create the problem, and I suppose you could hold Emilia responsible except. This means that they have a close military relationship. However, the personal relationship between Othello and Iago is much more complex. An examination of the relationship between Othello and Desdemona, and the racial It is at this point that the second of the great problems of the play emerges.
In the same spirit Imogen refused the coarse and villainous Cloten, to join hands and hearts with the virtuous Posthumus. The lovely Jewess, Jessica, ran away from the miserly Shylock to marry the Christian, Lorenzo, and at the same time accepted the religion of her husband.
In all these cases the maidens found their true life with the men of their own choice, and the dramatist gives his verdict in making their love happy and successful, and in bringing out of their marriage a larger good to all.
There are in these and other instances, however, many differences from the case of Othello and Desdemona. It is not so much the wilful disrespect to her father that is the fault of Desdemona, though some critics make a great deal of this, but the fact that in marrying Othello she showed a wilful disregard of her own highest interests.
It can scarcely be maintained that the marriage of Othello and Desdemona was a complete spiritual union, for there were too many diverse elements that at the time seemed incompatible and in the end proved entirely irreconcilable.
It is true, of course, that as in the case of Juliet the passion of love transformed Desdemona from a meek and blushing maiden into a strong and self-reliant woman. There need be no attempt to deny the reality of the love of these two, and its effect upon their development, but it was not strong enough or natural enough to overcome all its enemies, as a true and natural love like that of Romeo and Juliet can do.
Under some conditions it is possible that their love might have outlived their lives and overcome its handicaps, yet it is to miss the art of this drama not to see that the dramatist is here showing its unnaturalness by placing it in the conditions that test it to the uttermost and that reveal its weakness and bring it to defeat.
When Desdemona is brought into court to speak for herself in the matter of the marriage, she declares that she freely and lovingly takes Othello for her husband, and intimates that she is willing to take all the consequences of that act. She affirms her love for the Moor, and her desire to live with him, and requests to be permitted to accompany him to Cyprus.
Othello - Analysis - Dramatica
She says she understands fully what she is doing, recognizes Othello as a Moor, but that she accepts him as he is, or, as her words imply, she finds compensation for his color in the quality of his mind, in his honors, and in his courage: Seeing her determination and her willingness to abide by her decision, her father accepts what seems inevitable, but leaves them with the needless and cruel mark: She has deceiv'd her father, and may thee.
These words let us see where Desdemona got her wilfulness, and relieve us of the necessity of grieving much over the sorrows of her father in this most unfortunate marriage. In some recent criticism there has been an attempt to glorify the purity and beauty of the love of Othello and Desdemona, and to place it among the most spiritual of the loves of Shakespeare. Professor Bradley speaks of Desdemona's choice of Othello as rising "too far above our common level," and adds: If Goethe's suggestions for the re-casting of Hamlet in order to express better the meaning have not helped but hindered the understanding of Shakespeare's drama, we should learn the lesson of letting the dramatist have his way.
Some of the critics before Professor Bradley have more truly seen the character of the love of Othello and Desdemona. Professor Dowden has observed that "In the love of each there was a romantic element; and romance is not the highest form of the service which imagination renders to love. For romance disguises certain facts, or sees them, as it were, through a luminous mist. But, between Othello and Desdemona, on the other hand, a most distressing conflict arose that almost completely overshadowed the original conflict and ended only in the greatest catastrophe of the drama.
Instead of bearing a comparison, the loves of the two plays are in almost every way a contrast. The marriage of Othello and Desdemona was a union of different races and colors that the sense of the world has never approved.
The marriage of black and white seems always to have been repulsive to an Elizabethan, and dramatists before Shakespeare had always presumed that to be the case. Shakespeare no doubt shared this feeling, for in the two plays where no doubts on the matter are possible he follows the usual tradition. Assuming he had a part in writing the play, he has made Aaron, the Moor of Titus Andronicus, not only repulsive but a veritable brute and as cruel as Marlowe's Barabas.
And in The Merchant of Venice, about whose authorship there can be no doubt, and which is earlier than Othello, he had previously portrayed a Moor as a suitor for the hand of Portia, and presented him as unsuccessful. When the Prince of Morocco chooses the golden casket, only to find "a carrion death" awaiting him, Portia remarks: Let all of his complexion choose me so.
Terrified of losing her to a younger man, he seeks solid proof of her betrayal from Iago.
Relationships in Othello
Morality Main Character Issue At the beginning of the story, Othello is depicted as a selfless, moral man. He refuses to run and hide when he learns that Brabantio knows of his marriage to Desdemona and has armed men after him.
When Brabantio accuses him of using witchcraft to seduce his daughter, Othello has his wife sent for. Once he decides to end his torment by killing her, nothing Desdemona says can make him look beyond himself for the truth.
Main Character Thematic Conflict Morality vs. Othello is driven to torment Desdemona. Temptation Main Character Problem Othello is tempted by the beauty, position, and compassion that Desdemona can give him in marriage. Conscience If Othello had used his conscience he could have prevented the tragedy.
Disbelief Main Character Response Othello thinks that using disbelief will solve his problems regarding Desdemona. He refuses to believe anything she says in her defense. He overlooks her devotion and innocence: But his standard of perfection for those around him, and his trusting nature leads him astray.
A Moorish general in the service of Venice. He becomes furiously jealous of his innocent wife and his loyal lieutenant.
His character decays, and he connives with Iago to have his lieutenant murdered. Finally he decides to execute his wife with his own hands. After killing her, he learns of her innocence, and he judges and executes himself. He became a professional soldier rising to the rank of general. He has fought many battles, skillfully leading his men and earning a reputation as a great, honorable, and level-headed warrior.
The Relationship Between Othello and Desdemona by Kelsey Lawler on Prezi
He often recounted his adventures to entertain his host. At forty, Othello has never been in love and he impulsively, perhaps for the first time in his life, seizes an opportunity without mapping out an advanced strategy first. Iago, fueled by envy and jealousy comes to the conclusion that he can thwart Othello by using his own reputation as an honest man against his general.
Commitment Influence Character Counterpoint Iago is committed to destroying Othello no matter who he has to use to achieve his goal. Influence Character Thematic Conflict Responsibility vs. Commitment Because he believes he was best suited to receive the lieutenancy, Iago makes a commitment to revenge himself against Othello and Cassio. Iago forges recklessly ahead, devising his attack on Othello as he goes along.
Feeling Influence Character Problem Iago is driven by his feelings, which causes problems for others, and eventually for himself.
Iago tells Roderigo that he hates Othello because he has made Cassio his lieutenant instead of him. Iago is motivated by a love of excitement and by his perception of himself as an artist.
He derives great pleasure from the successful execution of his complex and dangerous intrigues. This satisfaction of his personal drive is short-lived, however, as Iago will be executed for his crimes. Help Influence Character Symptom Iago creates problems for Othello and others when he focuses his efforts on pretending to help. Later, Iago offers his support to Othello by swearing to kill Cassio for him, but Iago dupes Roderigo into killing Cassio.
He hinders Cassio by getting him involved in a drunken brawl that results in a demotion. He thwarts Othello by inciting him to become jealous of Cassio and Desdemona, corrupting him, and driving him to madness and murder. Here's a run down of the key relationships in Othello: Othello and Iago - 'Frenemies' 'Keep your friends close but your enemies closer!
This means that they have a close military relationship. However, the personal relationship between Othello and Iago is much more complex. Othello trusts Iago totally as Iago has a reputation in Venice for being very honest: However, Iago despises Othello and makes it his personal mission to destroy him: Several strokes of good fortune the handkerchief etc help Iago keep Othello on side until the murder of Desdamona but ultimately it is his genius for manipulation and trickery that ensures his success.
Desdemona and Othello - True Love? In marrying a 'Moor', Desdemona flies in the face of convention and faces familial and societal criticism for her bold choice. Her father is shocked and dismayed: She fell in love with his stories of valour; "These things to hear would Desdemona seriously incline". This also shows that she is not a passive, submissive character in that she decided she wanted him and she pursued him. On the subject of her relationship with Othello, Desdemona says: