Aphrodite • Facts and Information on Greek Goddess Aphrodite
Learn about the Greek goddess of love, beauty and eternal youth, Aphrodite. Despite this marriage to Hephaestus, Aphrodite had many lovers. Two different stories explain the birth of Aphrodite. Although Aphrodite and Hera were not friends, Hera went to the Goddess of Love for help as she endeavored to assist the. Zeus; Poseidon; Hades; Hestia; Hera; Ares; Athena; Apollo; Aphrodite; Hermes He had a series of disputes with other gods when he tried to take over their cities. Hera's marriage was founded in strife with Zeus and continued in strife. Greek god, Relationship, Role, Attribute, Roman Counterpart Hera, wife and sister of Zeus, Queen and mother of gods; women, marriage, maternity. veil, Ares, son of Hera and Zeus, war, strife, blind courage, Armor, Mars. Aphrodite.
Aphrodite used a swan-drawn car to glide easily through the air. Although Aphrodite and Hera were not friends, Hera went to the Goddess of Love for help as she endeavored to assist the heroes in their Quest of the Golden Fleece. Paris, son of the King of Troy, judged the contest instead.
Each of the three goddesses promised him something in return; he chose Aphrodite as the winner of the apple. This story of the Judgment of Paris was considered to be the real reason behind the Trojan War. During the Trojan War, Aphrodite fought on the side of Paris. Aphrodite rescued Paris from Menelaus by enveloping him in a cloud and taking him back to Troy.
Aphrodite owned a girdle that contained her enchantments; Hera borrowed it once to seduce Zeus in order to distract him from the Trojan War.
Aphrodite gave Harmonia a necklace that brought disaster to a later generation. Prostitutes considered the Goddess of Love their patron. Aphrodite had a few mortal lovers.
One of the most notable was the Trojan shepherd Anchises. Perseus gave the head of Medusa to Athena who mounted it on her breastplate, the gorgoneion. A comparison of one of the large number of representations of the story of Perseus Medusa from Archaic Greek art to the Minoan Snake Goddess illustrates the profound change that occurred with the supremacy of the Olympian Gods.
A striking aspect of the Snake Goddess is her frontality combined with her hypnotic stare. The power of this stare was probably intended to strike the original viewers with intense religious feelings of of terror and awe.
This expression transcends categories of good and evil. On the other hand, it was the sight of the "terrible" visage of Medusa that would turn men into stone. The powerful gaze in the Minoan work becomes entirely negative and demonized and something to be overcome in the figure of Medusa. Perseus, the son of Zeus and the mortal Danae, slays Medusa with his sword, and thus he destroys the terrifying chthonic powers of the female for more on Medusa see the paper by Alicia Le Van.
The following excerpt from Bullfinch's Mythology illustrates how the demonization of Medusa persists into our modern imagination: Medusa was a terrible monster who had laid waste to the country. She was once a beautiful maiden whose hair was her chief glory, but as she dared to vie in beauty with Athena, the goddess deprived her of her charms and changed her beautiful ringlets into hissing serpents. She became a cruel monster of so frightening an aspect that no living thing could behold her without being turned into stone.
All around the cavern where she dwelt might be seen the stony figures of men and animals which had chanced to catch a glimpse of her and had been petrified with the sight.
Perseus, favored by Athena and Hermes, the former of whom lent him her shield and the latter his winged shoes, approached Medusa while she slept, and taking care not to look directly at her, but guided by her image reflected in the bright shield which he bore, he cut off her head and gave it to Athena, who fixed it in the middle of her Aegis. The story of Medusa has reemerged in poststructuralist literary theory. Eros, Anteros, Deimos, Phobos; and a daughter: Hera cursed the goddess to bear a horribly ugly child, Priapos, as punishment for her promiscuity.
Some say Hermes Bakkheios Iakkhos was also their child. Aphrodite was never happy with the marriage having been forced to wed him by decree of Zeus, as a gift for releasing his mother Hera from the bonds of the cursed golden throne.
She bore him a son, the godling Hermaphroditos and some say Eros. When he refused to leave the sea to join her on Olympos, she transformed him into a shell-fish for his betrayal.
She bore him two daughters Rhodos and Herophilos.Adonis and Aphrodite (part 1/2) Greek Mythology - See U in History
Aphrodite fled and Zeus' seed was spilt upon the earth. Mt Olympos Home of the Gods I. Hephaistos had been cast from heaven by his mother Hera at birth, for she was ashamed at bearing a crippled son. He was rescued by Thetis and Eurynome and raised in a cave on the shores of the River Okeanos where he became a skilled smith. Angry at his mother's treatment, Hephaistos sent various gifts to Olympos including a Golden Throne for Hera.
Myths and Legends
When the goddess sat upon this cursed throne she was bound fast. Zeus sought the assistance of the gods in the freeing his Queen and offered the goddess Aphrodite in marriage to the god who could bring Hephaistos to Olympos.
Aphrodite agreed to the arrangment in the belief that her beloved Ares would prevail. Ares stormed the forge of Hephaistos, bearing arms, but was driven back by the Divine Smith with showers of flaming metal according to Libanius Narrations 7, not currently quoted here.
Dionysos next approached the god, and suggested that he might claim Aphrodite for himself if he were to release his mother willingly. Hephaistos was pleased with the plan and ascended to Heaven with Dionysos, released his mother and wed the reluctant Love-Goddess. Shewring Greek epic C8th B. Way Greek epic C4th A.
Jones Greek travelogue C2nd A. One of the Greek legends is that Hephaistos, when he was born, was thrown down by Hera. In revenge he sent as a gift a golden chair with invisible fetters. When Hera sat down she was held fast, and Hephaistos refused to listen to any other of the gods [including Ares] save Dionysos--in him he reposed the fullest trust--and after making him drunk Dionysos brought him to heaven. Grant Roman mythographer C2nd A.
Then he obtained freedom of choice from Jove [Zeus], to gain whatever he sought from them. The requested bride was perhaps Aphrodite rather than Athene in the original version of this story. When Ares tried to fetch Hephaistos to Olympos to release Hera from the throne, the prize for this labour being the hand of Aphrodite in marriage, which Hephaistos claimed for himself.
Meanwhile Dionysos, enters, leading the mule on which Hephaistos is seated, to Aphrodite who stands waiting as the prize of marriage. Rieu Greek epic C3rd B. They [Hera and Athene] entered the courtyard and paused below the veranda of the room where the goddess slept with her lord and master. She wished to please Hephaistos, the great Artificer, and save his isle of Lemnos from ever lacking men again.
The whole city [of Lemnos] was alive with dance and banquet.
Greek and Roman Gods
The scent of burnt-offerings filled the air; and of all the immortals, it was Hera's glorious son Hephaistos and Kypris [Aphrodite] herself whom their songs and sacrifices were designed to please. Day-Lewis Roman epic C1st B. Since Volcanos [Hephaistos] complied not at once, the goddess softly embraced him in snowdrift arms, caressing him here and there.
Of a sudden he caught the familiar spark and felt the old warmth darting into his marrow, coursing right though his body, melting him; just as it often happens a thunderclap starts a flaming rent which ladders the dark cloud, a quivering streak of fire. Pleased with her wiles and aware of her beauty, Venus [Aphrodite] could feel them taking effect.
Volcanus [Hephaistos], in love's undying thrall [conceded to her requests]. Thus saying, he gave his wife the love he was aching to give her; then he sank into soothing sleep, relaxed upon her breast. Ares had offered many gifts to the garlanded divinity and covered with shame the marriage bed of Lord Hephaistos.
Greek Mythology Gods Olympians
But Helios the sun-god had seen them in their dalliance and hastened away to tell Hephaistos; to him the news was bitter as gall, and he made his way towards his smithy, brooding revenge.
He laid the great anvil on its base and set himself to forge chains that could not be broken or torn asunder, being fashioned to bind lovers fast. Such was the device that he made in his indignation against Ares, and having made it he went to the room where his bed lay; all round the bed-posts he dropped the chains, while others in plenty hung from the roof-beams, gossamer-light and invisible to the blessed gods themselves, so cunning had been the workmanship. When the snare round the bed was complete, he made as if to depart to Lemnos, the pleasant-sited town, which he loved more than any place on earth.
Ares, god of the golden reins, was no blind watcher. Once he had seen Hephaistos go, he himself approached the great craftman's dwelling, pining for love of Kytherea [Aphrodtie]. As for her, she had just returned from the palace of mighty Zeus her father, and was sitting down in the house as Ares entered it.