"The Good Wife's" bad sex | omarcafini.info
In Season 1, Kalinda and Alicia (Julianna Margulies) forged a by the FBI and strikes up a relationship with agent Lana Delaney (Jill Flint). We've had five Nick-free episodes and only very brief scenes with Kalinda, who has . 10 Awesome Films That Feature Lesbian/Bi Women of Color · 9 Tips for. But the idea of Nick touching Kalinda made her feel something. "Sorry about the delay, it's been a hell of a couple of weeks. .. Donna was being referenced there, yet the advice was unexpectedly relevant for herself. Haters of Nick and Kalinda, skip the next two paragraphs: Nick returned and was particularly jealous of Kalinda's relationship with Cary. and Will offered her some advice regarding jealously: either stop caring and move on.
Alicia was just getting herself back under control when Kalinda hissed "Rat pussy! By the time Alicia managed to settle down, Kalinda was smiling at her, obviously pleased with herself. Alicia realised she needed another refill. I'm pretty sure Jane Austen wasn't fucking that sister she shared the bed with.
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She took another sip in wonderment and hoped her face was not too flushed. Had she really consumed the entire thing except for the one glass that Kalinda had drunk?
She shook her head as she manipulated the corkscrew. Apparently Naomi Wolf's vagina had the power to push the usually elliptical Kalinda into a rant. Although - Alicia tipped her head as she picked up the bottle and returned to the living room - if anything was going to do it, someone else telling Kalinda what to do with her own vagina was probably it.
Alicia sat down, filled Kalinda's glass and handed it to her. Then she topped-up her own and turned to sit sideways, feet drawn up under her, facing Kalinda. The other woman seemed to have run out of ammunition. The book was resting on the padded bench in front of the sofa, she was sipping her wine and looking serenely in the direction of the fireplace.
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Kalinda turned to look at her, surprised at the probable meaning of Alicia's question. She told herself it was more comfortable than having her knees drawn up. Straight women had played this game many times with Kalinda, the touches that pretended to be innocent, the curious inquiries, then either the courage to find out or a retreat back to known territory.
She never would have expected to play it with Alicia Florrick, which meant tonight was no game. With anyone else, she would have jumped in and seen where things led. Normally it didn't matter. Everything about Alicia mattered. She realised she hadn't answered, she had turned her head to look back at the fireplace - away from Alicia. Kalinda made her decision. She turned her eyes back to Alicia's. She watched Alicia inhale, tried not to look at the movement of her chest. She could feel Alicia's eyes upon her.
She sat up again, took the throw pillow from behind her and offered it to Alicia who looked uncomfortable propped against the armrest. She managed to swap it for Alicia's wineglass, putting it at the farthest corner of the tray.
Then she lifted her calves to rest on the bench before the sofa and leant back against the sofa cushions. Alicia looked at her wineglass, at Kalinda now reclining uncharacteristically supine.
She accepted the terms.Why We Love Kalinda
She let herself sink into the pillow at her back and slid her feet more firmly against Kalinda's thigh, toes wedging underneath. Neither of them had looked away. You can't do it in an hour over lunch - not properly. Alicia quirked her lips and made an amused sound in her throat. Kalinda dropped her hand to rest on Alicia's ankle and felt her react. The tension was palpable. But this was deliberate, even more so as Kalinda's palm pushed an inch higher under the cuff of Alicia's jeans and her thumb began to stroke over the bones of her ankle.
Alicia's awareness had narrowed to Kalinda's hand on her leg and eyes on her face. Alicia's gaze was steady and told Kalinda to continue. When sex between women isn't even considered real sex, there's no script to stick to. Plus the fact that both partners get off. On the other hand, Alicia had been the one to start it tonight. And wasn't that why she'd started it? To do things 'properly', as you put it. She could just feel the start of soft regrowth on Alicia's shin, meaning that Alicia waxed or epilated instead of shaving.
And like absolutely everything about Alicia, it mattered that she knew this now. If I know she can come again, there's no need to stop and wait, I just keep going Or sometimes, having an orgasm isn't the point and no one pretends it is.
To me it's more honest. Women don't fake it with each other? And then it's really awkward. You have to talk about it. She strongly suspected Donna was being referenced there, yet the advice was unexpectedly relevant for herself. She was also finding this surprisingly easy. The wine was helping certainly, but maybe just because it was Kalinda? The real Kalinda, the version Alicia had come to realise only she got to see and even then, mostly in her peripheral vision.
Alicia had watched Kalinda deploy endless variations on seduction, both sexual and emotional, during their work together. Kalinda wasn't doing any of that tonight. Just Kalinda's touch, her words and the steadiness of her gaze had Alicia aroused. Alicia knew she was about to ask what would be her penultimate question? Alicia was actually considering it. This talk wasn't just something to joke about every now and again. Every time Kalinda saw Alicia exercise it, her response was involuntary and compelling.
Kalinda knew there was potential for her to relate to Alicia in a way she would never be able to with another person. Kalinda's words were surprising to Alicia. She'd imagined Kalinda guiding her, being the one in control and things staying that way.
Now she wondered if that was force of habit from the way she'd consciously set her life on a different path to her mother: Thinking about it, from almost their beginning, Kalinda had let her be in charge.
Even when urging her to act in her own self-interest at work, Kalinda had positioned it so that Alicia had to make the moves herself.
And the few times Kalinda had tried to steer their relationship she'd realised her mistake and returned the reins to Alicia. That Kalinda's leather-clad persona was actually for public consumption, and not the person she was at all, or at least not the person she was with Alicia.
Alicia had realised nearly a year ago that she held all the power in their relationship, but she'd never drilled down to think just what that could mean. And she'd never allowed herself to feel the responsibility or the allure of it like she was now. There was no way for Kalinda to refuse. Not when Alicia voiced it directly, and not when she looked like that: Alicia wasn't sure exactly what she expected to happen, but it wasn't Kalinda hiking her skirt up and swinging a leg over Alicia's thighs to straddle her.
Well, she hadn't specified how she wanted to be kissed, and this was certainly more comfortable than twisting to the side to find Kalinda's mouth.
Kalinda swallowed and knew her hands were shaking even before she saw the evidence of it as she touched Alicia's face. She traced the lines of Alicia's beauty: Alicia's eyes closed before one hand gently took hold of Alicia's jaw and the other slid into her hair. Then Kalinda met Alicia's mouth with her own. But this was Kalinda, so it didn't stay that way. Alicia had expected Kalinda to draw back, to give her a look, so? But she didn't stop. Instead she kept going. Kalinda's lips caressed hers over and over It was all so tender, demanding nothing from her but pulling arousal from deep inside her despite that.
Alicia responded without thinking. Her lips parted and she felt Kalinda respond in turn: Alicia realised her hands had found their way to Kalinda's shoulders and were clinging to her. Now they travelled down Kalinda's back, feeling her heat through silk cloth; the lines of her bra; and the solid band of leather accentuating her slender waist.
Kalinda's mouth continued to accept what Alicia offered and delved deeper inside. She felt the first touch of Kalinda's tongue against her own, and knew then that Kalinda was right: She wanted to do this for hours. Deeper and deeper, now she knew the taste of Kalinda's mouth underneath the red wine they'd shared. And Alicia wanted more - suddenly she wanted everything. Her hands dropped lower, sliding first to Kalinda's hips, then her ass and then she pulled - forcefully.
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Kalinda reared back, breaking their kiss. Then Alicia felt Kalinda's hands bend her head back and Kalinda's mouth was on her neck, running along her jaw towards her ear, then down the pale column of her throat. Kalinda wanted to suck, to bite, to leave a mark and make some sort of claim but held herself in. She sampled the bitter patch where Alicia dabbed her perfume and then saltier skin lower down under the chain of the necklace Alicia was wearing.
She dipped lower still and tasted the hollow where collarbones met sternum. She wanted her, wanted her so badly. Her hands left Alicia's hair to push the wrap off her shoulders and then pull away the fabric and bra strap.
Each new inch of skin Kalinda's mouth gained access to, just made her want the next more. But what the hell was she doing? Trying to arouse Alicia past the point of good sense and into bed? What would happen an hour later, let alone tomorrow morning?
Risking everything they'd rebuilt for a single night of memories and answered questions wasn't worth it. Kalinda dragged her mouth away from Alicia's beautiful skin and tried to draw herself up and away again, but this time Alicia's hands were in her hair.
This time the other woman took control. Alicia dipped her face and found out that, yes, the line of Kalinda's jaw was as sharp as it looked. And yes, deep within Kalinda's hair were the pins that held it in place day in and day out.
If it had been absolutely anyone else, Kalinda would have batted their hands away - distracted her partner with some move on her part. But since it was Alicia, she acquiesced.
She could feel Alicia's fingers working the first one out of her hair, struggling to figure out the placement and angle. She could tell by Kalinda's expression and hesitant fingers that this wasn't something she did customarily - that this was deeply intimate.
She wasn't aware of the fact that her fingers took each hairpin from Kalinda's as they were removed until she had a small collection of trophies folded into her palm and an entirely different Kalinda sitting before her.
It ought to have been impossible, but Kalinda was even more beautiful, more sensual, with her hair loose and messy. She also seemed more naked and more vulnerable than if she'd taken her clothes off. On some level Alicia gave herself permission to like that The Kalinda we know and love starts to re-emerge, as some kick ass girl-fronted rock and roll shouts in the background, and she prepares to start breaking shit.
She lifts up the mat, and yes siree, there be drugs. But to be honest, from this point on out, I get pretty lost. Clearly it was not supposed to get out. But I do know that Diane Lockhart tells the agent to go to hell, and it is awesome. Regarding these double trials for the same murder, it soon becomes apparent that the client Lockhart Gardner is defending in Chicago is indeed guilty, while the dude in Minooka is innocent.
Alicia is rightly conflicted by this: Not a very feel-good place to be. Will tells her, this is our job. We help who pays us.
Thanks for that pep talk, Will! Speaking of Will, he and Amanda Peet have also been exchanging some real sassy squabbles during this trial, but our judge is frequently, and rightly, siding with Peet. The flustered Attorney Peet we saw in an earlier episode is no more. In the end, the juries in both cases charge both men as guilty. Amanda Peet feels rightly victorious. But when the prosecutor turns to Alicia to smile in Minooka, she only looks like this: Will and Peet meet up in the bar afterwards, and he buys her a drink.
Regardless, as they agree that what happened to the guy in Minooka sucks the big one, Will explains that now that Lockhart Gardner is free of their duties, they can use whatever evidence they have to help that godforsaken fellow when he appeals.
But the guy will still have to spend some time in jail before the appeal trial happens, and it just still sucks the big one. This smile makes things a little better, though. How long has she been waiting there? Nick walks around the corner and into the room. She shows him a map with a bridge to Canada circled. The darkness of this scene, the shadows bouncing around the walls, concealing half of their faces, is so wonderful, so aptly dramatic.
The next thing we see is Alicia, waiting at the bar with two shots of tequila, staring anxiously at the door. She calls Kalinda to see where she is, like any worried partner; a second later Kalinda plops down beside her. Alicia says she seems relieved. Kalinda nods again, yes. Kalinda is sure, steady as a rock. She seems finally relaxed yet overwhelmed; happy, but the kind of happy with weight behind it.
Her face deserves an Oscar right now. What happened after she stood up in that dark Lockhart Gardner office? Did she kill Horrible Husband, or what? Or did she just somehow have another plan to really convince him to cross the border?