‘Ghosts’ and the Haunting of Harrison by Rimbaud
On the second occasion Rimbaud was dangerously wounded by Verlaine's it appears that from to Rimbaud was in close relations with the Ras knee obliged Rimbaud to leave Harrar and go to Europe for surgical advice. Do you want to learn more about a current relationship? I have also seen beautiful love letters that Rimbaud wrote to Verlaine, like this one for example. Paul Verlaine and Arthur Rimbaud are two French poets who have made a huge contribution to the world literature. Their relationship is called passionate.
When Arthur Rimbaud turned 16, he decided to write to Paul Verlaine, at that time already known to the poet.
Arthur Rimbaud - Wikipedia
To the great surprise of Rimbaud, Paul Verlaine liked his poetry, and he even invited the young man to Paris, paying the way. Already at a young age, he tasted alcohol and hashish.
But, what was most frightening for the poet, is the attraction to men. Paul Verlaine believed that this was unnatural. In they were married, and soon Matilda became pregnant. When he was invited to the table, the provincial poet constantly belched, gurgled, spoke with his mouth open.
Matilda was horrified, and Paul looked at the young talent as bewitched. His talent was recognized by all, but the terrible behavior of Rimbaud repelled people. Matilda could not tolerate Rimbaud for a long time at home and, in the end, insisted that her husband kicks him out.
Paul Verlaine tried to attach the young poet to his acquaintances, but he was persecuted from everywhere. Arthur Rimbaud had a detrimental effect on Verlaine.
When Verlaine moved to the side of homosexual love, the images of Minerva and Venus immediately disappeared from his poems.
Moreover, Verlaine began to get drunk on a daily basis to unconsciousness. The poet preferred absinth. The poet used to be very aggressive when drunk. Paul Verlaine began to beat his wife, but every time after the fights he begged forgiveness from Matilda. One day he almost provoked a miscarriage. In the end, she could not stand it and applied for a divorce.
The passion of Arthur Rimbaud and Paul Verlaine
In the passionate relationship of the two poets, aggression was constantly present. This is perhaps his finest poem, and one that clearly demonstrates what his method could achieve. The voyant himself is on an ecstatic search for some unnamed ideal that he seems to glimpse through the aquatic tumult. But monsters threaten, the dream breaks up in universal cataclysm, weariness and self pity take over, and both boat and voyant capitulate.
Here Rimbaud succeeded in his aim of matching form to vision.
A pounding rhythm drives the poem forward through enjambment across the verses, with internal rhymes and excited repetitions mounting on alliteration as with the swell of the envisioned sea. Rimbaud was already a marvelous poet, but his behaviour in Paris was atrocious. He arrived there in Septemberstayed for three months with Verlaine and his wife, and met most of the well-known poets of the day, but he antagonized them all—except Verlaine himself—by his rudeness, arroganceand obscenity.Arthur Rimbaud: Life of Vice - Tooky History
Embarking upon a life of drink and debaucheryhe became involved in a homosexual relationship with Verlaine that gave rise to scandal. In Marchwhile tormented by violent passion, jealousy, and guilt and in a state of physical dissolution, Rimbaud returned to Charleville so that Verlaine could attempt a reconciliation with his wife. Still trying to match form to vision, he expresses his longing for spiritual regeneration in pared-down verse forms that are almost abstract patterns of musical and symbolic allusiveness.
These poems clearly show the influence of Verlaine. Rimbaud now virtually abandoned verse composition; henceforth most of his literary production would consist of prose poems.
In May Rimbaud was recalled to Paris by Verlaine, who said that he could not live without him. That July Verlaine abandoned his wife and child and fled with Rimbaud to London, where they spent the following winter.
During this winter Rimbaud composed a series of 40 prose poems to which he gave the title Illuminations. These are his most ambitious attempt to develop new poetic forms from the content of his visions.
The Illuminations consist of a series of theatrical tableaux in which Rimbaud creates a primitive fantasy world, an imaginary universe complete with its own mythology, its own quasi-divine beings, its own cities, all depicted in kaleidoscopic images that have the vividness of hallucinations.
He sees himself formulating his dreams; his discovery of hashish as a method of inducing visions is hailed; his ensuing nightmare anguish is relived in swirling images and convoluted syntax; and his love affair with Verlaine is recalled in cryptic images and symbols.
In the Illuminations Rimbaud reached the height of his originality and found the form best suited to his elliptical and esoteric style. He stripped the prose poem of its anecdotalnarrative, and descriptive content and used words for their evocative and associative power, divesting them of their logical or dictionary meaning. In April Rimbaud left him to return to his family, and it was at their farm at Roche, near Charleville, that he began to apply himself to another major work, Une Saison en enfer ; A Season in Hell.
A month later Verlaine persuaded Rimbaud to accompany him to London.
Rimbaud treated Verlaine with sadistic cruelty, and after more wanderings and quarrels, he rejoined Verlaine in Brussels only to make a last farewell. As he was leaving Verlaine shot him, wounding him in the wrist.
- Arthur Rimbaud
Rimbaud soon returned to Roche, where he finished Une Saison en enfer. Une Saison en enfer, which consists of nine fragments of prose and verse, is a remarkable work of self-confession and psychological examination. It is quite different from the Illuminations and in fact repudiates the aesthetic they represent. Rimbaud was going through a spiritual and moral crisis, and in Une Saison en enfer he retrospectively examines the hells he had entered in search of experience, his guilt-ridden and unhappy passion for Verlaine, and the failure of his own overambitious aesthetic.
The poem consists of a series of scenes in which the narrator acts out various roles, seemingly a necessary therapy for a young man still searching for some authentic, unified identity. Within these scenes a switching of moods follows a dialectical pattern, pushing forward through opposite tendencies toward a third term that marks another step toward liberation. Each step is presented in highly dramatic form and is treated with detachment and a characteristic, cutting irony.
Once these follies have been relived, the remaining sections explore different possible routes toward moral salvation. The cultivation of the mind, religious conversion, and other routes are each tried but then dismissed. Perhaps it implies both a saner, more realistic stance towards life and a healing of the split between body and soul that had so plagued him.
It was certainly a farewell to the visionary, apocalyptic writing of the voyant. There they copied out some of the Illuminations. Rimbaud returned home for Christmas and spent his time there studying mathematics and languages.
His last encounter with Verlaine, early inended in a violent quarrel, but it was at this time that he gave Verlaine the manuscript of the Illuminations.