Big band leaders of the 30s and 40s meet

List of British big band leaders - Wikipedia

big band leaders of the 30s and 40s meet

Meet the Big Band Masters .. Trombonist and Big Band Leader . During the s Harry James' music was so well liked that record companies When the sisters burst upon the music scene in the late s, they shook a very solid. What is it about the American Big Bands which explains their enduring appeal - there's nothing more exciting in music than a big band in full flight and these. Big Band Music page spans the Big Band Era and beyond with a list of Big Norvo band got great press in many jazz magazine articles in the s and s but The two had met as performers in Paul Whiteman's band in the early s.

Members of the orchestra are featured, as they move about and celebrate this "new" music that was taking the nation by storm. The music moves from one soloist to the next, as each carries the torch of Swing music to the audience.

Filmed inAll American Pictures' Boarding House Blues features Lucky Millinder, leading his orchestra with a happy face and swinging hips to add a visual cue to his music. The band swings with heartfelt lyricism. Their arrangements are sweet. Balanced harmony and superb musicianship take top billing.

Like a symphony orchestra conductor, Millinder gives his audience a visual piece of the pie, interpreting the mood.

Big Band Music - Bandleaders, Musicians And Historic Jazz Magazine Articles

As he dances with Annastine Allen on the slow boogie-woogie "Let it Roll," you can see that he really enjoys entertaining in the spotlight. His delicate tenor voice carries deep emotions. Whether slow and sweet, or slow and hot, Millinder's orchestra put a lot of passion into each performance.

His leadership style in the spotlight was intended to urge his men on with a gentleman's poise and with the firmness of a teacher. Snapping his fingers and keeping the tempo rolling, he motivated without interfering. The band had a big sound. Kirk features many of the band members as soloists.

big band leaders of the 30s and 40s meet

His pianist, guitarist, and bassist make distinct impressions in the tradition of hot Kansas City Jazz. Their music swings with the kind of enthusiasm that could go all night long. His rich baritone voice and good looks made him the ideal leader for this Swing orchestra. Gene Ammons takes the first solo and complements the leader's lively scat singing and percussive interpretation of the title song's lyrics with tenor saxophone soul.

A ballad follows, and the film jumps a few times with skips and stutters that show its age. The playful vocal is by Jimmy Rushing, whose plump rotundity earned him the nickname 'Mr Five-by-Five'. Basie, who died inled fine bands right to the end. His playing was always relaxed, at its best in the company of his peers.

Another who enriched the local musical scene was multi-instrumentalist Benny Carter, whose career continues apace with no concessions to age he was born in He is heard on alto saxophone, poised and graceful, and on muted trumpet and clarinet. Hidden in the trombone section is Ted Heath who went on to lead the greatest of British big bands.

Baltimore-born Chick Webb earned appreciation from all manner of jazzmen for his inspirational drumming- 'every beat like a bell', said Buddy Rich. Their jaunty collaboration was cut a few days before Ella's 18th birthday, just two years after her amateur night debut at the Harlem Opera House.

Benny Goodman's triumph at the Palomar Ballroom in Los Angeles on August 21,marked the official start to the 'swing era'. Sidemen became the focus of unprecedented attention, much like soccer players today, and crowds gathered wherever Goodman appeared. Christopher Columbus, a Goodman favourite, was composed by Chu Berry, Cab Calloway's fine saxophonist, and arranged by Fletcher Henderson, himself the leader of another great orchestra.

Goodman is heard on clarinet. Byhe had become a popular entertainer and a familiar presence in musical films. His vocals were imitated by a host of admirers but it's his majestic trumpet which scores, supported by Sid Catlett's slick drumming, as he reshapes Gus Kahn's nice old melody. Joe Venuti was an insistent prankster, better known as a soloist than as a band leader.

big band leaders of the 30s and 40s meet

He was among the very few jazz violinists of genuine worth. When Billy Strayhorn joined Duke Ellington's Famous Orchestra as staff arranger- Duke called him 'my right arm'- he created Take the 'A' Train which soon became Duke's signature tune and one of the most widely known of jazz themes.

The definitive version features the marvellous Ray Nance on muted and open trumpet.

List of American big band bandleaders - Wikipedia

Known as 'Floor Show', Nance could dance, sing and play jazz violin or hot trumpet on demand. It's a self-evident truism that Ellington was the greatest band leader-composer in jazz history. The next three tracks spot top soloists who formed their own groups to cash in on their popularity. He built his orchestra into one of America's leading dance bands.

List of British big band leaders

Trumpeter Bunny Berigan was among the very best of white jazz trumpeters and fronted his rowdy unit quite successfully until he was laid low by alcoholism. Crosby, Bing's younger brother, was no musician but looked good on stage.

The band's stance was influenced by its inner core of New Orleans musicians including the agreeable tenor-saxophonist and vocalist Eddie Miller. Jimmie Lunceford combined music direction and athletics coaching in Memphis until he formed one of the finest of black bands, renowned for its musicianship and the arrangements of Sy Oliver, heard here playing solo trumpet. Joe Thomas is the saxophonist. Glenn Miller's music has retained its popularity, with a series of 'ghost' orchestras re-creating Miller band classics, including Jerry Gray's String of Pearls, with its strong attack and immaculate trombone motifs.

Miller's plane disappeared over the English Channel in December as he was on his way to join his Army big band in France.