Frank ferko i was glad to meet

TODAY: TGN live blog's Frank Ferko "Meet the Composer" reception | Zachary Carstensen

gram over the years, the Ferko ling Mission in the Young People's. String Baiid has .. that trying to see and absorb all-£ron? th® cJty, omarcafini.info- imade to. I of the beauty which is . Frank Ambos, Highway. 33, to Mr. and Mrs. .. House counsel, said, “Well, son, I'm certainly glad you didn't make the Dean's. La remontée des cendres, Frank Ferko (U.S. Premiere) Where the Willows Meet, Niels Rosing-Schow .. Let the Heavens Be Glad, Adolphus Hailstork. Click a category to see all compositions of Frank Ferko in that I Was Glad ( ), for unaccompanied mixed chorus; commissioned by First.

Duration 6 minutes, 7 seconds. Duration 13 minutes, 12 seconds. The Hill, a symbolist opera in one act, for four principal singers, chorus and chamber orchestra; libretto by Sally M. Hildegard Triptych, composed for unaccompanied double choir; commissioned by the Dale Warland Singers and first performed by them at the Cathedral Classics concerts, Marchin Minneapolis and St.

John of the Cross commissioned in by St. Schirmer Music Company,for unaccompanied mixed chorus commissioned by the Schola Cantorum of St. At the age of nine he began piano study in Barberton, Ohio with Grace Baughman and in high school he studied with Richard Shirey, a member of the music faculty at the University of Akron.

He began work as a church organist at the age of 14, and two years later he began to conduct a church choir. At 18 he entered Valparaiso University and received a Bachelor of Music degree in piano and organ performance from Valparaiso in His vocal lines seem to sing themselves.

It's simple and comfortable, yet memorable. My job as an arranger is to get the basics like harmonization down, then sing the parts myself, especially the inner ones.

Is this line fun to sing? Is there a reasonableness and enough variety to it so that it's interesting? That process of refinement can take quite a bit of time. The quest is to keep it sounding fresh. One of my favorite lines comes from Goethe: The difficult thing is to think ofit again.

The Rarest Gift Norman Luboff: Huron Carol Edwin Fissinger: Like missionaries across the centuries, de Brebeuf adapted the basics of the Christian story to his audience. His carol translated by J. Edgar Middleton features "Gitchi-Manitou," the Huron expression for God; Jesus is wrapped in swaddling clothes of rabbit skins, laid in a birch bark teepee, and worshipped by hunters and chiefs.

As for the tune, "1was always taken by it," Dale says. It's so easy to over-arrange, to get carried away with fancy, intellectual craftsmanship and lose the charm or the essence of the basic tune and text. Less is more when it comes to arranging something like this.

Carol of the Bells Alfred Burt: How unto Bethlehem Stephen Paulus: Gabriel's Message Kirke Mechem: The search for new ones to perform or commission is ongoing. Composer Stephen Paulus has more than once been part of the hunt, and he describes "pages and pages of carols on Dale's living room floor, and there we are on our hands and knees looking at this one, then that, trying to find the best.

She's a talented pianist and singer, and the two met at a Sunday morning rehearsal in when Dale's choral accompanist at University Lutheran Church in Minneapolis was sick. When Dale asked for a volunteer from the choir, she stepped forward; two years later they were married.

Ruth has, Dale says, "a great ear and eye, a taste for choosing and recommending. After attending the performances, she explored the Basque region-which happens to be home to one of her favorite carols, "Gabriel's Message.

John Marks Rudolph, the red-nosed reindeer had a very shiny nose And if you ever saw it, you would even say it glows. All of the other reindeer used to laugh and call him names, They never let poor Rudoph join in any reindeer games; Then one foggy Christmas Eve, Santa came to say: Anonymous The cattle are lowing the poor baby wakes, But little Lord Jesus no crying he makes. Let earth receive its King; Let ev'iy heart prepare him room And heav'n and nature sing.

Handel He rules the world with truth and grace And makes the nations prove The glories of his righteousness And wonders of his love. Concert Choir The Northfield Youth Choir program is a community choir organization now in its 15th year. About young singers participate in the eight different choirs and come from Northfield and surrounding communities. The program provides a place for every child who wants to sing. The youngest choirs are non-auditioned.

Every effort is made to provide an environment in which singers experience friendliness, acceptance, affirmation and respect. Weekly rehearsals, retreats, performances both locally and on annual tours provide plenty of opportunities to sing and make new friends. Cora Scholz, Director Cora Scholz is a founder-director of the Northfield Youth Choir program which began in with 28 young singers. She is recently retired from the voice faculty at St. Olaf College where she continues to teach children's vocal pedagogy.

She directed the St. Cora is a graduate of St. Olaf College and the University of Illinois. We're glad you came and we hope you're in the mood to do a bit of singing as well as listening to great holiday music. You'll get a chance to do both-and hear a wonderful story for the season told by Heidi Grosch.

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Youth choirs have always played a central part of these Home for the Holidays concerts. The outstanding Northfield Youth Choir will sing one section on their own and then join the DWSfor a brand new work by Frank Ferko written for this program. Why the emphasis on young voices? To a parent, it encourages them to get their own children singing. Most important, there's something magical about the sound of youth singing in the Christmas season.

Hearing them at this time of year just touches the heart. Csrol of the Bells Our concert begins with three arrangements-though the very first comes with a twist. Normally an arranger takes a tune and plays around with it. Dale Warland used a melody, though in this case it was a little-known version of the tune "0 Little Town of Bethlehem," created by that most prolific of all composers, Anonymous. Working at the Warland lake home in northwestern Wisconsin, Dale kept his arrangement purposefully simple.

Peter Wilhousky knew the value of simplicity as well, when years ago he made his pins-and-needles arrangement of the favorite "Carol of the Bells" that wraps up this section.

Concert Choir Robert Scholz: Come to the Crsdle Jeanne Julseth-Heinrich: Go Where I Send Thee! Come to the Cradle was written in the summer of by Cathy Conger, mother of two St.

dale warland singers

Then like the sun the star shone forth, and angels sang on earth. And that He loves me ev'ry day, I know so well is true. Special discounts for group salesavailablethrough the Dale Warland Singersoffice: Saturday, February 9, 8pm Benson Great Hall Bethel College Cathedral Classics This concert includes some of the most sublime music of the sacred choral repertoire, featuring Lauridsen, Tchesnokov and Howells, among others.

This spring concert promises many delights: You will have the opportunity to comment as well! Tuesday, May 14,7-lOpm, Free! Sunday, June 2,3pm Orchestra Hall mission statement The mission of the Dale Warland Singers is to enrich, inspire and entertain its audiences through the superb, world-class performance of important a cappella choral music, while fostering awareness, understanding and appreciation of recent choral music repertoire.

Thank you for helping us accomplish this! If you have any questions or comments about tonight's we'd love to hear from you: Follow the Star Settle in for a good one.

She has a plaque in her office that reads "Ahundred years from now it will not matter what my bank account was, the sort of house I lived in or the kind of car I drove. But the world may be different because I was important in the life of a child. Whenever I see a child in my journey through life, I am drawn to them and want to play, to talk, to share stories. That is one of my greatest joys in life.

World Premiere Frank Ferko: Nos Galan There isn't much Christmas music for adult and youth choirs to sing together. It is a shame, and something of a surprise given that so many Christmas church services feature both choirs-though hardly ever singing together. Time to remedy that. Here's a brand new work written just for this concert that gets young and old er collaborating in song. Over the summer, Frank toyed with two wintry texts: Nos Galan Now the joyful bells a-ringing, Lift our hearts, like birds a-winging, Now our festal season, bringing Kinsmen all, to bide and board, Sets our cheery voices singing: All ye mountains, praise the Lord!

Dear our home as dear none other; Gladly here our care we smother; Here we know that Christ our brother Binds us all as by a cord: He was born of Mary mother Where the mountains praise the Lord! Deck the hall with boughs of holly, 'Tis the season to be jolly, Fill the mead cup, drain the barrel, Troll the ancient Christmas carol, Fa la la la la la la la la.

Frank Ferko | The Classical Composers Database | Musicalics

See the flowing bowl before us, Strike the harp and join the chorus, Follow me in merry measure, While I sing of beauty's treasure, Fa la la la la la la la la. Cold the year, new whiteness wearing, Peace, goodwill to us a-bearing, Now we all God's goodness sharing Break the bread and sheathe the sword: Bright our hearths the signal flaring, All ye mountains, praise the Lord!

Twelve Days Craig Courtney: A Musicological Journey Through the Twelve Days of Christmas The concert continues with a music history lesson, and probably the funniest one ever heard. I had written each movement but had not started the orchestration. SoI carried full scores ofeach composer to the waiting roomeach day and furiously orchestrated. I was still writing individualparts out the jay ofthe deadline. Inspired by Francesco Landini, whose can't-miss-it musical signature the "Landini cadence" you'll hear in the last few chords of the accompaniment.

Three French hens from sixteenth-century Italy. The sweet, other worldly purity of Giovanni Palestrina's sacred motets. Four calling birds from seventeenth-century Italy.

The octave jumps in the opening accompaniment are right out of priestcomposer Antonio Vivaldi's "Gloria. The fancy frills of the rococo style are representative of J.

Bach's second son C. Six geese a-laying from eighteenth-century Austria. One of Wolfgang Amadeus Mozart's favorite intervals was a jump of a fourth i.

C to F upward. You'll hear it immediately in the accompaniment's melody line. These gals come storming down from the heavens just as Richard Wagner's operatic Valkyries did. Nine ladies dancing from nineteenth-century Austria. Anyone for a waltz? Ten lords a-leaping from nineteenth-century Italy seem to dance over white-hot coals; inspired by Amilcare Ponchieli's opera "La Giaconda.

Twelve drummers drumming from nineteenth-century USA, need absolutely no introduction, though Courtney admits that even he was surprised to find that the old carol tune and J.

Sousa's "Stars and Stripes Forever" could be played or sung simultaneously with almost no alteration in either tune. Jingle Bells John Rutter: We Wish You A Merry Christmas 20 22 choral ventures For more information and submission guidelines please visit our web site: The Dale Warland Singers choral ventures T.

VU-Kamerkoor: Frank Ferko: Magnificat (2001)

Also assisting is Minnesota composer, Anne Kilstofte. In he received grants from Meet the Composer as well as from the Community Arts Assistance Program of Chicago, and in and again in he received the coveted Composer Fellowship from the Illinois Arts Council.

His works are published by E. Schirmer with whom he has an exclusive publishing agreement, and more than 20 of his works have been recorded on compact disc, primarily on the Arsis label and The Liturgical Press. As a scholar of the music of Olivier Messiaen, Mr. He has also written articles for The American Organist on avant-garde music in the church and on the organ music of the Swiss composer Marc Briquet.

During the summer of Mr.

  • Frank Ferko

Ferko was invited to perform his Hildegard Organ Cycle at the Holland Festival Oude Muziek in Utrecht Netherlandsa performance which marked the European premiere of the work and was funded by the Festival and a grant from Arts International. This was followed by the West Coast U. Mary in San Francisco.