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List download link Lagu MP3 STEVEN JAM NICE TIME (min), last Download MP3 & Video for: Steven Jam Nice Time Steven Jam Nice To Meet You. STEVEN JAM NICE TOO MEET YOU MP3 Download ( MB), Video 3gp & mp4. List download link Lagu MP3 STEVEN JAM NICE TOO MEET YOU ( min). At this time, mind you, Steven Frank and I both lived and worked out of a It was very nice and efficient, but, with the exception of the name, not very "Mac" — it even Created by Bill Kincaid and well-known Mac dev Jeff Robbin, SoundJam was Seeing that Audion was, at the time, missing MP3 encoding functionality, he.

I could have just said "buy Queen's greatest hits and you'll have the perfect Road Trip playlist". However, I can only choose one, and if you want a song that picks you up when you're feeling a little groggy on the road, Another One Bites the Dust does the trick. Man, I love the bass in this song. Start Planning our own road trip with National Geographic's World Atlas available on Amazon Dave and Deb's motorcycle road trip around Lake Superior You don't have to be in a car to appreciate good music.

We had our playlist going like made in our bluetooth helmets during our tour around Lake Superior on motorcycles. Lose Yourself Eminem I once sang this song in Belize with the local crime lord. I didn't know it at the time, but after I got off the karaoke stage, where I was joined by a random man who had a big grin on his face, I was told, he was that man.

The friends you make when you sing Eminem. But this song rocks. Dave and I saw 8 Mile in the theatre and were totally impressed with Mr. Marshall Mathers' acting ability. We promptly bought the soundtrack and learned the lyrics to this song. It's one of those songs where, once you learn the lyrics, you never forget them because they are so fast and furious, you fall over yourself trying to say them with him!

Paradise by the Dashboard Light was the song of the 70s. There are so many layers to this song and right from that first guitar lick, you can't help but get ready to start singing along in the car. Dave and I love it when it breaks into a duet and we sing back and forth. We start screaming until our vocal chords nearly break. After that song, you almost have to pull over for a break. Get the album Bat Out of Hell. Every song is great.

A great one day drive that we highly recommend is the Hana Highway on Maui. Make sure you have your road trip songs picked out because radio service in limited. Rock Star Nickelback Hey, don't hate on Nickelback okay? Everyone loves to hate this band, and yet they still have tons of top hits and sold out shows. That song was their breakout hit, but you gotta listen to Rock Star. The lyrics of this song are hilarious and it was made for singing along to in the car. Who doesn't love the lyrics "I wanna be great like Elvis without the tassels.

Hire eight body guards that love to beat up assholes. Sure it may or may not be a break up song, I can't be sure about the lyrics - is it about breaking up or staying together? Who cares, it's gone a cool vibe. The video is so much fun and when this tune comes on, you instantly feel good. Andre was named one of the best rappers of all time, and yet it's this little ditty that we love for a road trip.

My Baby don't mess around. The Steve Miller Band's Songs were made to sing along to. Dave and I love to harmonize to their music. It's just so easy to hear the thirds and fifths. The reason we chose Take the Money and Run is because they headed down south and they're still running today.

We don't plan on shooting anyone and taking their money, but we do plan on traveling forever. It's in our blood and even if we do settle down a bit, something tells me we'll always be on the move. Dave and I moved to Vancouver in and we're still moving today. Maybe not running, but definitely at a steady pace. You may be correct, but doesn't Back in Black have an awesome beat.

That guitar at the beginning just rocks. Ever since then I've associated Back in Black with driving. Sure, he was in a Humvee and I'm usually in a mini compact economy car, but hey, I feel tough when that tune is playing. This has been one of my favourite songs for years. I could only wish that I had a Rock n Roll voice. Mine was stuck in the pop world, but that didn't mean that I didn't daydream about rocking it like Stevie on the big stage one day. This rock song is great for anyone.

Even Dave rocks out to it when I turn it on. It may have never made it to the top 10 when it was released inbut this is the most memorable of all her songs and over time has gained more fame and glory than it had during its original release.

Give it a shot and listen to it! It repeats and repeats but the beat keeps on going. When we're on a super long road trip, we agree, Twenty, Twenty, Twenty-Fours hours to go! I wanna be sedated. Get the Ramones on your road trip playlist now. They'll have you Ba ba baba, baba ba baba along all night long! One of our latest road trip adventures took us to Fraser Island in Australia.

We spent 3 days driving through the sand dunes and scenery of this amazing destination. Redemption Song Bob Marley Bob Marley is another artist where we could just put on his greatest hits and make that a road trip playlist. But the self imposed rules of this article was to choose only one song per artist. Yes, he has more up-tempo songs that could fit the genre better, but we feel that sometimes you gotta slow down when choosing a road trip song and let the mellow feeling takeover as you drive the open road.

Redemption Song is the perfect song for that occasion. It's one of those songs where you can put your vocal skills to the test and sing with feeling.

It's a love song and we love a good love song. Hey, we're both romantics at heart. One of my favourite lines is: Life's Been Good is a great road trip sing-a-long song. It goes on for a whopping 8 minutes. Do you know how many km you can cover when driving at km or if you're like most people, km per hour? That's right, 15km will fly right by! How does Life's Been Good fit with a road trip? Well, he does sing, My Maserati doesI lost my license, now I don't drive.

Shelter from the Storm Bob Dylan Well, since we're in the vein of s music icons. We must include a little Bob Dylan. You see, you want your road trip playlist to be versatile. You can't stick with one genre or one decade. It needs to span many years and cover all music types. That way you never get bored. Shelter from the Storm is one of Bob's greatest hits and he's had many. Tambourine Man, But listen to Shelter from the Storm.

This is a great song. Jimmy Fallon and Niel Young See what songs we feel inspires travel? Or how about Bali Eyes by Porno for Pyros? She and Rick had to listen to our playlist the rest of the 10, km and she mentioned, if only we had some Billy Joel. We didn't have Spotify then, so we couldn't just magically download Billy Joel in the Gobi desert, but I do agree, he makes for some great road trip music.

Yes, he has a lot of hits, but Dave and I both love Piano Man. It's another long anthem type song that lets you sing along forever. With verse after verse our voices grow stronger and more powerful in the car until we're both belting out "Sing us a Song You're the Piano Man! Niel Young is another iconic Canadian in our list.

I could do a Canadian version of Road Trip Songs, but I am afraid half of you wouldn't know the songs I am talking about. Anyone else out there know The Tragically Hip's Fireworks? It's time to tell Audion's story. The birth of Audion So, it goes something like this.

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Steve and I had just finished and released Transmit then it was called Transitour first official Mac application well, technically our second, the first being the unreleased Verso.

And, to be totally honest, we had absolutely no idea what we were going to do next. The great thing about not having any ideas is that you don't have any ideas. So, while down in San Francisco for Macworld Expo intruly enjoying an inspiration-generating show floor, we had a brainstorm that went something like this: For those of you fortunate enough to have jumped on the Macintosh Train just as it pulled out of OS X station woo-woooo!

Looking at the Apple Menu we were struck with the realization that, although we used these tools pretty much every day, they were all pretty poorly designed. And let's call it the 'PanicPack', make it cute, and bundle all the apps together for one reasonable price! At this time, mind you, Steven Frank and I both lived and worked out of a 2-bedroom apartment in Northwest Portland; the living room was our office, the kitchen our high-tech call center, and the bathroom our, well, bathroom.

It was small, it was fun, and it was Panic. Within days, the PanicPack design document was written. The first program we started to work on was this replacement for the AppleCD Audio Player — a cool, nice looking CD player, we figured, with a few more interesting functions, done up in Panic style. The name "Audion" simply popped into my head during a shower — I wish there was a better and less naked story for that — and it stuck. Audion was off and running. Then, one day, during development, it struck us: Hey, what if this thing could also play MP3s?

The Mac at this point only really had one MP3 player: It was very nice and efficient, but, with the exception of the name, not very "Mac" — it even shared the same skins with WinAMP. We felt in our gut we could take a good crack at this — we might never top MacAMP, but we could do our best. We suddenly wanted desperately, more than anything else, to be the first truly Mac-like solution for playing MP3s, and, well, we got to work. Sometimes it was easy going, and sometimes it was significantly less than.

During development, we hit one rather groundbreaking breakthrough: In other words, the ability for Audion faces to have custom levels of transparency and just look generally amazing.

It had never been done before, and we were very excited to make it happen — so were our users. To give a little bit of history, long before Mac OS X and Quartz were released, it was generally thought to be completely impossible or at least really hard in any computer operating system to have a window with a functioning alpha channel.

In other words, while you could easily create a non-square window with transparent parts such as a hole cut out from the middle of itit was impossible to have, say, a soft drop-shadow cast off a window — a shadow that gradually blended with the desktop underneath it via different levels of transparency. Suffice it to say, I pestered Steve about this idea constantly.

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I kept this up until one day a breakthrough hit us: We could fake it! Suddenly, with this one addition Audion had catapulted in our minds from "average music player" to "something pretty special". I began work on SmoothFacethe bundled Audion face which, although it wasn't very beautiful, had a drop shadow perfect for demonstrating the new alpha system. By the time Audion was complete, one thing became painfully clear — Audion had grown larger than the PanicPack itself. Even though I had worked on a few mockups for ImageFinderanother PanicPack component, we gave up on that fairly quickly.

Audion was now a very full-featured application, very far from our original "cheap and cheerful" blueprint. If we'd really wanted to make four apps of this caliber to be a part of a good-value pack, we'd be announcing the release of the PanicPack.

The PanicPack silently snuck away into history, and Audion 1. The Rivalry If I can back our magical web time machine up a little bit, something unexpected happened while Audion was already well underway. No, that wasn't the unexpected part. But there, between the donuts and the juggling and beards, before one of the sessions began, was some kind of MP3 app displayed on the giant classroom projector — strange visuals swirling to music, for all to see.

From that moment forward, we had seen the face of our future enemy: Created by Bill Kincaid and well-known Mac dev Jeff RobbinSoundJam was released mere weeks before Audion, even though we had both been in simultaneous development for months, unawares.

The feeling of being beat to market by days is an interesting one — imagine being punched in the face by a drunk kangaroo then finding five dollars while lying on the floor, a simultaneously crushing but ultimately inspiring experience.

We were quickly determined to gently beat SoundJam in every possible way, and to make the best product possible. In some cases, this was easy — design wise, we had the strength of our amazing Faces team and our dedication to clean interface design — but in other ways, not so easy — they already had MP3 encoding, which would require a great deal of our time for us to put together for Audion 2.

We also felt like every time we added new and innovative features, those exact same features showed up in SoundJam's next version — but I bet they would say the same thing about us! In short, having a competitor meant we both pushed ourselves, and the customers truly won. Here's but one quick and classic example from the "rivalry files". As we mentioned before, Audion had alpha channeled "faces" — and, as a result, became fortunate enough to attract an incredible group of talented artists, eager to push the limits of what Audion could do.

At the same time, the default skins that came with SoundJam were a frequent source of internal Panic chortles, due to our opinions about their, well, less than beautiful appearance, from Azurite to WonderJelly. It must have eventually became clear to them that they weren't getting anywhere — so we were stunned and surprised to wake up one day and find a new version of SoundJam that suddenly supported Audion faces!

After going through the full 10 stage cycle of anger and acceptance, we soon came to realize that their faces support was fundamentally flawed — the alpha channels themselves, the true jewel in our interface-encrusted crown, were missing! SoundJam displayed our faces flat and shadowless, with chunks of important bits missing. So, the fires in our bellies now fully flamed, we created a special pop-up page on our website alerting the now-Face-downloading SoundJam users that, basically, they should be using Audion.

Months passed with us hearing nothing from the competition, when eventually SoundJam was updated Our Faces now looked and worked fine Not only that, but, in all honestly, their alpha code was even better than ours!

Steve quickly scrambled to improve our technique, and he made it smoother and less jittery, slightly bettering theirs. But we both had alpha channels, and we both displayed Audion faces. The Faces War of had reached a stalemate, but not without some casualties. And by casualties, I mean, er, overall improvements to both products. It was not until much later, when talking to Jeff on the Macworld show floor, that he expressed some pain over our "if you're using SoundJam" web page. Everything was good natured, for the most partand kept things interesting.

I can only imagine their inside jokes about us At the end of the day and only in hindsight having SoundJam around was nothing less than fantastic and inspiring for us. While it was definitely a little stomach-wrenching at times, Jeff, Bill, David, and the other SoundJam guys were sharp coders who pushed Steve and I even further to create even better things: Big In Japan Here's a little side story that you might not have known about Audion: How could something so magical come to pass?

Credit the smart minds at act2, a Japanese software distributor. When we were developing Transmit, Matt Arney, then their American representative, asked us if we were working on anything interesting.

Yes, in fact, we were — an MP3 player. Matt saw the potential value in the emerging MP3 audio market, and wanted us to bring it over to Japan.

Seeing that Audion was, at the time, missing MP3 encoding functionality, he contacted our friends at Proteron, who made the popular N2MP3 encoding app, to create a bundle. Thus, a new package was born: Why call it MacMP3? As I was told, it's largely believed that American products will sell better in Japan if re-branded to seem a bit more like original domestic Japanese products.

The top Mac products had traditionally been unique, Japan-only products not found elsewhere. This logic might explain why a deeply-American, but functionally superior product like the Xbox can fail so unbelievably spectacularly in Japan — well, that and the fact that the Xbox is larger than the entire island of Hokkaido. It made its debut at Macworld Expo Japan a show I dearly miss! Well, I guess they're paid to.

We had an incredibly fun time working with act2 and making MacMP3 happen. It was one of Audion's more worldly adventures! When you're a tiny independent Mac software developer, that's about as tempting a proposal as, say, a young surgeon being able to directly e-mail Surgeon General C. Okay, so he's not the surgeon general anymore, but my point is that when you're down in the trenches — writing software for a platform you pretty much completely worship — well, it's pretty hard to resist e-mailing God if you know He checks his e-mail.

So e-mail I did. Jobs a few days later. It was very quick, cordial, and to the point my own bursting e-mail box has taught me to be succinct. It pitched Audion in a few short sentences, and encouraged him to download it.

I received no response, but I didn't expect one. I liked to imagine he'd read it and downloaded and tried Audion, sharing it with his co-workers and family and barber, but I figured it was more likely my message just printed directly into his office trashcan. Then, an interesting thing happened. Well, that's interesting, we thought. We talked briefly on the phone, and he seemed interested in setting up a meeting with us to talk about everything Audion.

We didn't know why or how, but we were definitely excited. Before the meeting took place, though, something else interesting happened Finally, on February 22nd,we updated Audion to version 1. This version was a huge one for us with many firsts — it added the much-requested hierarchical playlists, automatic playlist organization based on ID3 tags, the hilarious and surprisingly effective Karaoke mode, the Alarm Clock, a perennial dorm room favorite, and much more.

In short, we had yet again passed the competition — for a few seconds, anyway — and we were feeling good about where Audion was, while simultaneously feeling restless about where Audion was going.

The competition continued to drive us, maybe a little bit too much. We felt we needed something more to, you know, "win". We couldn't shake the feeling that we were locked in an infinite cycle — simultaneously incredibly fun and tedious — of always releasing competing updates with SoundJam, always scrapping for the hearts and minds of our fellow Mac users, until somebody takes things up to the next level, and dominates strategically, like some kind of super-nerdy software development board game.

Basically, we wanted to be the hippo that eats the most marbles without breaking. We wanted to give our customers and fans everything, to be the best. Yeah, we were getting a little manic. And then, out of the blue, AOL came calling. It played MP3s, involved llamas, and pretty much kickstarted the entire MP3 revolution, without which Audion never would have existed, much to Justin's credit. One day, after much success, AOL, who probably smelled the potential riches of a music revolution from a great distance over the acrid smell of their 15, CD-ROM production plants in Bangalore which, coincidentally, are staffed by minotaursswooped in and snapped up Justin and Tom, as well as an internet radio company called Spinner.

Justin, dear readers, had ridden the Late 90's Magic Monorail of Money, and theoretically came out a winner. Soon after, as I understand it, Nullsoft found themselves with a new leader and guiding light: Rob had previously created IUMA, the first big online independent music archive, sometime around the appearance of pteranodons in Internet time.

Eventually, Rob Lord came to us somewhat out of the blue with a proposition: But they didn't have a Mac solution, and they all loved Macs, and they wanted to own the Mac MP3 market as well. We got to thinking pretty quick. On one hand, we'd have to work for AOL. Now, If I were to free-associate "perfect partner for a small independent software company", you'd immediately think AOL, wouldn't you? And we certainly couldn't stay in Portland, which would be difficult.

Would we want to give up Panic, this thing we've built up with our own four hands, to become something else? On the other hand, there would be giant money hats. And while that would undoubtedly be nice, you'll have to believe me when I say that potential riches genuinely paled in comparison to the true, tempting, mouth-watering, chop-licking potential from such a partnership: Everyone would use our program! Nobody would use anything else!

Nothing can compete with free! The emails were flowing fast and furious. But is it the best way? ONLY if we can remain 'Panic', not become [something else]. The more we can wrap our minds around your business, the faster the golden check can be signed.

Get our balance sheets in order. Fly to San Francisco. Talk about our predictions for the upcoming Macworld Expo. He's talking to Fred about it. Try to put a price on Panic. Man, who the hell knows what we're worth. It's just us two, and it's honestly probably not worth much.

But hey, Audion will be free! We'll be able to pay those blasted Fraunhofer MP3 encoding patent licensing fees! The deal fizzled quicker than a Pop-Rock in Little Mikey's mouth.

Reality set in for us, and a lack of motion on the AOL side made us realize something important: We eventually gave up. First, our guts told us that our hobbies and our creative freedoms would be severely hampered if owned by AOL — that there would be no way Panic could remain Panic, as much as we'd want it to. In hindsight, this was perhaps our most accurate judgment call — in late Justin Frankel left Nullsofthis very own company, after having a number of his projects, such as Gnutella, terminated by AOL without warning.

AOL, of course, has to answer to the TimeWarners of the world, corporate partners who might not appreciate, say, an unstoppable peer-to-peer file sharing network. Gnutella needed to be made, and we're very glad Justin made it, but AOL wasn't so much. Tom Pepper, the other great half of early Nullsoft, also recently departed.

It seems you can either be free to do anything you want, to create anything you dream of without answering to anyone, or you can be rich. You're not likely to be both. Second, during the peak of excitement over our potential deal, Rob Lord — the man who shepherded the idea in the first place — left Nullsoft.

He went to muse.

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What happens when your cheerleader quits on you? You get a much less responsive crowd, that's what. Or you get dropped. From that moment forward, it seemed like the AOL management side grew unnervingly quiet.

Did we make the right decision? I truly think we're better off, and then some. We're still around, we've grown a lot, we're quite happy, we have freedoms, and although we may not be rich — at all — at least we didn't have to quit our own company, right? I always believe that things happen for a reason, and if they had happened towards AOL town, I probably wouldn't even be allowed to write this.

Because I'd be on a beach, in a Ferrari, drinking lear jets. Steve Gedikian, the last of the remaining original Nullsofties to stay on board, summed the situation up nicely — his first-hand knowledge makes for required reading for anyone on the brink of a sellout.

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Steve has since left Nullsoft as well — interestingly and perhaps ironically, he's now on the iTunes team. I'm sad that Audion never got that chance to be free back then — to really dominate, and be in the hands of every Mac user, even if they couldn't afford it. During the midst of the heated negotiations, Apple popped up again. This time they were finally ready to meet with us, sometime in Juneregarding "the future direction of Audion".

We were also eager to hear what they had to say. After seeing the latest and greatest build of Mac OS X at Macworld New York, we spotted the first clue that Apple was becoming more serious about MP3 playback by creating the bare-bones but quite nice-looking Music Player. This made us all the more curious about why they wanted to talk to us. The meeting fully booked with Apple, I contacted the AOL executives — whom we were still deep in negotiations with — so they could be involved.

It only seemed fair; they came to us first, and maybe this Apple meeting would make them want to snatch us up all the quicker. Except, their schedules were booked. They couldn't make it — at all.

Those crazy business people, I tell you! All those Palm Pilots and not a pixel of free time on the calendaring screen. Thus, I had to cancel the meeting with Apple. AOL couldn't make it, I said. Maybe we can reschedule? The meeting with Apple never took place.

I wonder what it was all about? This time, we were determined to correct Audion's missing pieces, and also invent some great ideas of our own. With fast, fully-licensed MP3 encoding finally! Besides, if it wasn't for Audion 2 and the new "Speed" effect plugin, we never would have heard the mind-shattering, ear-haunting experience of what the Chipmunks really sounded like. On December 18th,we finally released Audion 2. It's hard to express what a tremendous hit it was for us — downloads and registrations were record in number, building rapidly with each month.

People seemed to really love it. In all honesty, we'd never experienced anything like it. The Big E-Mail Backing up ever-so-slightly again, while Audion 2 was nearing release, I began to hear some curious rumbles. My various friends in the Mac software industry told me that something was going on with SoundJam, that it may be slowly disappearing from stores.

Interestingly, I detected a distinctive wobble of concern in the kind support person's response that, you know, uh, it'll be supported in the future, if nothing else.

Suffice it to say, we were more than a little curious. Weirder still, all rumors pointed back to Apple. Desperate for information, I sent a quick e-mail to Phil Schiller, Apple Senior Vice President of Worldwide Product Marketing, since he had at some point become a registered user of Audion, much to our excitement! He had also been one of the people interested in meeting with us back in June.

Besides, Phil always struck us as very cool, quite sharp, and really in-tune with third party development. However, true to his training, Phil declined to divulge any information about what might be brewing over in Cupertino. Understanding but anxiousI agreed to wait and see what happened.

I also mentioned to Phil in passing that the AOL deal was no more. Then, as soon as Audion 2 was released, I took part in my own, personal "E-Mail Steve" ritual, sending him a brief missive on Audion 2 and encouraging him to check it out. Again, I imagined the printer feeding directly into the shredder, but it still felt good. Then, a few days later — on Christmas eve, no less — it hit. Sun, 24 Dec Cabel, I hear that your deal with AOL fell through. Any interest in throwing in with us at Apple?

The guy who we basically owe our entire professional existence to, who basically created the very platform we want to hug, the computers we want to crush into little pure plump pieces of joy? I jumped up from my chair and literally yelled at Steven Frankwho was, of course, sleeping. Not that Steve was sleeping on the job; rather, it was a weekend.

And on the weekends Steve tends to sleep in until right around the time the apocalypse hits. I pounded on his bedroom door for a few minutes, freaking the hell out. He groggily arose and, equally stunned, sat down to try to parse the stomach-crunching bundle of ASCII sitting on my screen. It may sound a bit overdramatic, but for two guys making shareware, this was a big, big thing. At first we thought it might have been a cruel joke. Then we noticed it was sent from someone using NeXT Mailer!

We were thrilled to say the least. So much so, we had almost forgotten about the fact that the answer to our SoundJam mystery was about to unfold, right before our eyes, in one week. Say Hello to iTunes "Well.

Steven, myself, and my friend Alexis Croft sat close together during the Macworld Expo in January,truly on tenterhooks — we had heard the rumors, and we were almost afraid at what was about to unfold. When it was time to show iTunes, I sunk a little bit lower in my chair. When the interface was shown, I quickly studied every pixel. Well, we did just that" — we chuckled a little bit. And as each feature was revealed, we looked at each other, trying to fully grasp what we were up against.

On one hand, it was far, far simpler than Audion — no MP3 editing, no faces, no playcount, no rating, no hierarchical playlists. But on the other hand, it's really not that bad — that interface is awfully smart — and, oh crap, it's free.