likeness in difference is especially noticeable in the case of the two strange servants of between Prospero and his quaint minister only when Ariel too much insists upon his The two conspiracies, that of Stephano, Trinculo, and Caliban. is the Caliban who begs Stephano to be his god ( and ). Sometimes, he . as the relationship between language and civility, or the ideal mode of. The similarity, socially and perhaps physically as well, between Trinculo and Caliban is further emphasized when Stephano, drunk, initially mistakes the two for.
Stephano (The Tempest) - Wikipedia
In our first glimpse of Prospero, he appears puffed up and self-important, and his repeated insistence that Miranda pays attention suggests that his story is boring her. Act I Scene II. So, the Prospero and Ariel relationship is one of master-servant but the servant willingly obeys the master in exchange for later benefits in this case, Ariel obeys Prospero to obtain his freedom.
The Epilogue is the only scene in the play in which we see Prospero ask others — the audience — for help. It shows him as a mere mortal who, stripped of his magic powers, is as vulnerable as the rest of us.
It is incumbent on the audience to exhibit the same sort of mercy as he has just shown, indicating that we too have learnt to be magnanimous. For some critics, this new Prospero inspires admiration and sympathy.
For others, he is now an impotent tyrant who, without any method of self-defence, is in a position to be punished for the wrongs he has done to the others characters during the play. Prospero treats Caliban as a slave.
The general complaint by those who have read the play, including most college professors, use the alleged complaint of rape as a justifiable reason for the poor treatment Caliban receives at the hands of all who come into contact with him. But this is taking political correctness too far, in my opinion. Before we even meet Caliban, Shakespeare already builds suspense around him: We are already given information on Caliban so that we are prejudiced about him before he enters the story.
The first few things we hear about Caliban forms an animalistic view of the man.
His mother Sycorax was from Argier, and his father Setebos seems to have been a Patagonian deity. Sycorax was exiled from Argier for witchcraft, much like Prospero himself, and Caliban was born on the island.
Stephano and Trinculo
Surprisingly, Caliban also mirrors and contrasts with Ferdinand in certain ways. Caliban wants to get rid of Prospero, when he comes upon Stephano he thinks he is some sort of God as Stephano gives him alcohol. Caliban does not want power, but a kinder master. Prospero had treated him kindly until he attempted to rape Miranda, after which he was forced to live in a rock.
She lov'd not the savour of tar nor of pitch, Yet a tailor might scratch her where'er she did itch.
Stephano and Trinculo
Then to sea, boys, and let her go hang! This is a scurvy tune too; but here's my comfort. Scene II  Caliban: Hast thou not dropp'd from heaven? Out o' th' moon, I do assure thee; I was the Man i' th' Moon, when time was. I have seen thee in her, and I do adore thee. My mistress show'd me thee, and thy dog and thy bush. Scene II  I prithee, be my god.
Caliban to StephanoAct 2: Scene II  Flout 'em and scout 'em, and scout 'em and flout 'em; Thought is free. Scene II  He that dies pays all debts. Scene II  Origins[ edit ] It is not clear where the character of Stephano originated, though he is a familiar clown figure typical of the era.
There is one idea that he was modelled after Stephen Hopkins from London. Hopkins was aboard the Sea Venture when it was shipwrecked on Bermuda. He attempted to start a mutiny while stranded on the island.