Calvaire (film) - Wikipedia
Calvaire () on IMDb: Movies, TV, Celebs, and more I haven't seen yet) handles about the sexual relationship between a farmer and his pig. . Again, an ending not like an everyday horror, but one that will make you think a few days. By its end however, you get the feeling that Calvaire does have something up its sleeve. Some I have to wonder if there is a connection. The ending was the icing on the cake, the last 30 mins were chaotic, I loved the relationship between the two brothers, but I was hoping for a.
The cinematography was incredible. You've never seen the wilderness shot to look so menacing, yet maintaining a strange, dread-filled beauty.
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And yet it also seems endless, as if civilization is nowhere near where the events in the film take place. I unconsciously wrapped my arms around myself during the movie, from both the tension in the film, and from feeling I myself was out there in the chill of the woods.
I won't go into the plot-line, since a few others already have, but this film gives good credence to making sure that if you go driving in the country, your engine has had a recent tune-up, and you've got plenty of gas in the tank.
AND to make sure you're cautious about the seeming kindness of strangers Was this review helpful? Sign in to vote. This movie simply draws you into it matsrats 14 August I wish to start saying, that this movie is definitely not enjoyable at all. By the means of having a great fun time at the movie-theatre. If you like European Art-house Cinema and are also devoted to real rough and downbeating horror movies, you should have a closer look at this interestingly done work of Fabrice Du Welz.Ending Relationships - Learn to Leave
The young director puts the viewer always in the middle of what is shown on the screen. The beautiful photographed frames are supported through the high grained film material. It nearly looks like a dokumentary, but without the handhold camera style. No bright colours have been used, the colours even look washed out, slightly fading into grey. So the look is very authentic.
The Settings are all natural. There is no artificial studio-stage touch in this movie. No additional lightning seems to be added.
This style helps the movie to draw the audience perfect into it. Shot on an aspect ratio of 2.
Something never quite gels in Calvaire. It's an interesting idea and there is some good acting though none of it comes from the main character.
There's an attention to detail that boosts the atmosphere of despair and decay that fuels the film. Then again, there are some unnecessary scenes and terribly annoying camera work that detract from it just as much, slowing things down considerably for no good reason. In all, Calvaire's a push. It's a smart film, but too eager to prove its artistic merit. This is one of those films that tries hard enough to succeed, in spite of its shortcomings and I assure you, there are manyand the end result will either repulse you with its "awfulness" or surprise you with how genuine it is.
A lot of loving craft went into the picture and I respect that; it all pays off. Welz has made a chilling thriller that truly aims to distress its audience. At this point, it isn't a matter of how much you love or hate the movie; it's how disturbed you are. Normally, I wouldn't like this approach, but there's something about the way in which Welz goes about staging all three acts of his film.
It's the story of pop singer Marc Stevens Laurent Lucas who is leaving a show at a retirement home when his car breaks down somewhere deep in the woods; and he finds himself stranded there, searching for help. Eventually, it comes his way in the form of a strange man searching for a lost man; and it is this same kind but quirky guy that leads Marc to an Inn not far from where his car remains. The Inn is run by a man named Bartel Jackie Berroyer ; who appears kindly, or at least kindly enough to tow Marc's car to the premises and attempt to fix it up a bit.
Marc stays a few days; a few nights. Bartel is comforting and nice; but there's work to be done. The car needs repairing, and so do Marc's emotions, which are in a tangle.
Calvaire (The Ordeal) - Movie Reviews - Rotten Tomatoes
To ease himself of this burden, he takes walks around the local and surrounding areas; troubled only by an instant in which Bartel warned him of a nearby village - telling him never to approach it. When Marc fails to listen and makes his way to the village regardless of Bartel's warnings; there is a dramatic turning point for the story that comes in the form of a scene depicting ritual-like bestiality between man and pig.
Oh, and that's just the beginning of the weirdness that is soon to unfold. The story keeps getting stranger Since I'm hoping that a good few of you reading are curious about the film and wish to pursue and ultimately see it, I will not go any further in describing the story; because going further would mean spoiling a lot of the nasty surprises present throughout the remaining portion of the story.
I like this movie because it does not cheat its audience.
There's always a foreboding feeling of dread from the minute Marc hops in his van and hits the road; and Welz is very peculiar in how he builds suspense. It's quite honestly like driving through a thick and heavy fog--just as Marc Stevens does at the beginning of the film. You can't see anything, your high beams make it worse and at some point you realize you have no idea where the hell you are.
I felt like this throughout the entirety of the film. One minute I'm cruising along, pointing fun at Marc's opening performance and the nextmen are sodomizing pigs. From the mind of Fabrice Du Welz comes this foggy film Calvaire. It follows Marc Stevens, a singer who makes his living by performing for the elderly while wearing a magical cape.
On his way to a Christmas gig, Marc's van breaks down leaving him stranded in the woods. Upon being found by an odd man looking for his dog, Marc is sent to the Inn run by a seemingly nice man named Bartel.
Before long, Marc realizes that Bartel is not nice at all. And the rest of the town isn't all that great either In fact everyone seems to think that Marc is somebody he is very clearly not. A woman with a bad haircut and a bad dress. On the surface, Calvaire sounds like a typical film about some messed up people living in a small town. I had this fear myself as numerous reviews of it relates it to the Texas Chainsaw Massacre.
Calvaire however is different.
So different in fact that some people don't even like to call this film a horror movie. Any serious action doesn't really happen until about an hour in--the gore isn't prominent and something else just feels off. Is it because we have no real sympathy towards Marc's situation? Is it because we get the idea that everyone in this godforsaken town is fucking nuts?