Kamen Rider Agito - Wikipedia
Kamen Rider Agito is particularly notable for not only being the first series to ( and perhaps turbulent) relationship he would go on to have with Kamen Rider. . in a similar vein as to how some might receive Kuuga's ending. There will be plenty of action in the end and I hope there will be some humor to I've seen every episode of ever single Kamen Rider series to date, . Hibiki, the title Rider, develops a sort of master-apprentice relationship with a . KR Raika: But why does Shoichi become Agito and fight against them?. Kamen Rider Agito is a playable character, debuted in Kamen Rider: Battride War. The two pursued a romantic relationship, but as her powers matured The ensuing battle ended with Tetsuya being tossed overboard, where he was.
He doesn't know who he is, where he came from, or how he came upon his peculiar circumstances. Shouichi, seemingly for no reason, transforms into a powerful superhuman, Kamen Rider Agito, whenever in the presence of the beings referred by the police as the "Unknown", a race of powerful monsters that have been causing murders around Tokyo, targeting certain people as their prey.
In response, the police department unleash their newest weapon: G3 and Agito don't know whether they should join up and defeat the Unknowns, their common enemy, or to combat each other, keeping the mysteries that entwine them separate. Ultimately, even more mysteries unfold, with the appearance of Kamen Rider Gills, who is on a search to uncover why his father committed suicide.
These mysteries and others collide, as the true nature of Agito would ultimately determine the fate of humanity.
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Shouichi encounters psychologist Azuma Kunieda, who had once nursed him back to health, and fights an Unknown at night and reaches Burning Form, but goes out of control. Then, Kunieda helps him control it. All three Riders fight against the Beetle Lord.
The story is ended with a mysterious girl stalking G4 project and to be continued in the movie. There is a difference concerning the series' plot and the special's plot.
It is possible, however, that he did not believe Shouichi in his conversation without physical evidence. On rewatch I also have noticed a lot of interesting details and overarching themes that I have been sharing through live-tweets, but I also wanted a place to compile my notes here.
This retrospect will cover multiple articles. Other articles will talk about other topics, such as the use of color theory and cinematography in a few interesting places during the mid-season, and some thematic connections to religion and philosophy in the endgame of the show.
The main thing to note here is that the O-Parts wash up from the ocean.
The ocean has strong connotations of unformed, primordial chaos. This is usually used in reference to Judeo-Christian tradition where the ocean was what God formed the land out of, bringing order out of that formless void. At the end of times when creation is perfected, the ocean has turned to glass, signifying that chaos being tamed for eternity. The ocean, and water in general, will provide a lot of symbolic importance as the show continues.
We also see our two main characters, Shouichi and Ryou pass by each other with no recognition in the first episode — ships passing in the night.
Speaking of water imagery that will happen a LOT Ryou is first introduced as a swimmer — from an underwater shot.
This perspective emphasizes his isolation from others, hidden underneath the surface of the pool where he practices. This is another recurring theme for his character. It also carries a similar connotation to the ocean before — full submersion represents a conversion or change. Again, drawing comparisons to Judeo-Christian tradition, this is the same symbolism around the ritual of baptism. It also can work as foreshadowing.
Another set of major characters introduced early on are those within the police department. He starts out as a skeptic, refusing to believe that the impossible murders that have begun to pile up are supernatural. As people are trapped in trees, mysteriously combust in broad daylight, and die in other gruesome ways, Hojo stubbornly refuses to admit what the evidence shows.
Kamen Rider Agito – With Great Power Comes Great Responsibility
When faced with the unknown, instead of hesitating, he threw himself into danger to rescue others. Even when Hojo accepts the fact that the Unknown exist in the following episode, he still uses the same mindset of looking at a single serial killer rather than as a new villain faction.
By figuring out that the case they were investigating was a copycat based on the Unknown attacks, Hojo is able to put the pieces together to implicate a man he had the utmost respect for.
We also see his characterization under fire when his vendetta against Hikawa allows him to become a new pilot for the G3 suit.
Kamen Rider Agito – With Great Power Comes Great Responsibility – Capes and Cool Scarves
Hojo cares more about glory and accolades than actually caring about others, and when things go south in a fight against the Unknown, he abandons the suit against orders, leaving a victim behind. Hikawa in comparison is perfectly willing to take a bullet for someone without hesitation, as Ozawa, the superior commanding supervisor for the G3 unit, notes.
Speaking of Hikawa his character is fairly boiler-plate ordinary here at the start. He simply comes across as a nice guy who tries his best but is somewhat clumsy and not exactly the brightest candle in the room.
- Kamen Rider Agito
Most of his development, and what made him become my favorite Secondary Rider in the franchise, comes with the introduction of the G3-X system later on. This is a common theme in a lot of Rider series, naturally seeing as most Rider series deal with the heroes using the same kind of power as the monsters or the villains. The themes of the show then hinge around HOW they choose to make use of it. Agito ties it in closely with concepts regarding identity, as to be expected of a show that revolves mainly around an amnesiac mystery.
The G3-X suit was designed by Ozawa without taking into account the human side of the equation, as they even say in the show, and assumes that the wearer will be perfect — and thus, inhuman in that perfection.
To allow Hikawa to use the suit, Ozawa has to temper the machine side and allow Hikawa to direct it more fully. Paradoxically, this allows him even greater power.